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Black is reached to a satisfying tier, helping the nighttime finale. Depth is pleasing, the best attribute of this presentation. Even after the “fix,” this still looks like a primarily SD source. Revenge of the Creature doesn’t come under fire from noise reduction. It’s one thing for the underwater scenery to draw in haze it’s another when the above water scenes look all too similar. Textural elements sink (ironically, considering) and grain clogs the images, rather than support them. Lagging fidelity dominates, with muddy scenery. A few scenes with standout sharpness become the anomaly. Now re-issued, this ranks as one of the lesser pieces to the Universal Monsters Complete Collection set. The first time Universal issued Revenge of the Creature to Blu-ray, that disc was recalled.
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That small acknowledgment was still ahead-of-its-time cinema however, distinctive as possible considering the monster movie framework. Once on Universal’s rails, concerns over animal captivity and the cruelness of acquiring knowledge slip away. Giving all of the police flashlights in the final act is even equivalent to the torch-carrying mobs visiting Frankenstein’s castle. It’s no wonder this series, the last of the line, doesn’t fade from establishment. Take out the water and Gill Man turns into Universal’s Mummy, wandering about, looking for victims.įormula worked for Universal’s monsters though. Although entertaining action suggests absurd strength of this aquatic missing link – tossing one poor sucker into a tree – those interesting, subversive ideas give way to a predictable monster on the loose romp. Labs operate with traditional screen aesthetics of beakers and syringes, if adding nothing to the Gill Man’s lore.įrankly, Revenge of the Creature is all too often a plodding bore.
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Dry moments advertise the aquarium (Marineland of Florida, still open as of 2018) by showing their dolphin shows. A stubborn romance between Agar and Nelson isn’t any deeper than needed to make Agar lead the charge when Nelson’s kidnapped. Once on Universal’s rails, concerns over animal captivity and the cruelness of acquiring knowledge slip away It’s that rare monster movie to drive on something more than mere thrills and terror.
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Agar even questions the shock prodding, sympathetic to the pain he’s causing, if coerced by his professional drive.
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Revenge of the Creature inserts morality dialog, questioning if humans needed to return to the Amazon at all. There’s genuine empathy for this monster, chained to the bottom of a pool, forced to endure daily shock treatments. That’s done with John Agar stabbing Gill Man with a cattle prod. Where that breaks is in the scientific experiments, attempting to understand what Gill Man is and to control his behavior. There’s even a sequence copying the famed swim from the first film, if without its elegance. He kidnaps Revenge of the Creature’s female lead, Lori Nelson, to set up the damsel routine. Of course the Gill Man escapes and runs down patrons of this Sea World-like park.
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The Pre-Blackfish BlackfishĬontinuing Universal’s brand of anti-science horror, Creature from the Black Lagoon’s sequel finds the Gill Man pulled from his home in an Amazon tributary and dunked into a Florida aquarium.